a Ranger. The fine gets bigger. The last was for $350 (I was innocent and could prove it) and the first time was a warning.
and two weeks at the gem show every year. I was excited to see him again and appeared at the Mineral and Fossil Co-op at 1635 N. Oracle. Last yr his piece filled a large room. This yr he had a room sized fossil fish. I kept thinking about its tail of vertabrea and how a beautiful woman would look with a similar tail. Out from the back room came one of the most beautiful young women I have ever laid my eyes on named Katelynn Charron (French pronunication) from Boston. She
made me think of Robin Wright who I have always coveted. I asked Serge if he could find some fossil tails and I'd like to shoot Katy and Katelynn in the desert. He went to his crates and pulled out two delicate tails. I brought over black dresses and corsets and wire. We realized we could attach the tails through the dress to the corset.
Serge is a terrible flirt (something I have also been accused of) and there was evidence of that as the men with cameras came by the room to see Katelynn no longer the tomboy she is.
Once the photo began to jell I phoned my new friend Jim Nitzel, senior writer for the Tucson Weekly and he came over to the Co-op between shooting basketball games. He asked questions and Katelynn began to puntificate, listen and laugh.
I got to watch Serge work the room. He is a teacher, a talker, a man who wants to share what he knows and his partner is the seller SO Serge surges into the abyss explaining what is.
the family cross species resemblance is uncanny. We realized that the cast tails couldd be attached by thin wire to the hidden corsets the women would be wearing. I became the "designated corsetor" and gladly laced her shut into a very vintage corset I had bought in Burbank, CA many yrs ago.
Ms. K tried on several black dresses but we settled on one that could take crinoline.
Serge kept repairing...
how to attach and exactly where?
such delicacy and percision...not wanted to injure Jamie's valentine.
it looked as though they were deciding who would go to bat first.
they have important employer/employee relationship
Serge took a minute to demonstrate the `fossil two-step'
we waited for Katy to come try on clothes
Serge went back to pontifcating
had I just stepped inside a Jane Austin novel (whom I have never read)
when Katy arrived from work Serge gallantly offered to help her dress
and 2 pose with the two ladies
the shoot is pre arranged for two o'clock at the end of Mica View trail on the eight mile loop of Saguaro East National Park.I stuff my Toyota echo with dresses, heels, wire and tequila (and water of course and fruit of course) and my Mac for music. Earlier in the day, Katy in curlers, and I meet for b fast and then to Savers for jeans for the two of them for a second concept.
I hang the dresses and cowboy hats, line up the cowboy boots, then put film in my cameras.
note the fake buck teeth which will factor into the shoot soon enough.
Katy arrives and tries on the vintage gypsy tuxedo I bought in Aix En Provence, France in 2007. She towers over me in her masculine `look' and shows me her new tattoos.
Robert Villa, the true Tucson Renaissance man arrives with Serge, Katlynn and two vertebra castings.
I've invited Jim Nintzel, senior editor for the Tucson Weekly, to come witness (and assist) at one of my shoots. He also arrives. The three principles begin to dress after greeting one another.
Franco American relations
There is something to be said for youth and Katlynn is screaming it
as does Katy
THe corsets the two beauties are wearibng come from the resale prop shops in Burbank and have the actresses names written in the underside of each garment.
I always like the off set shots
The first spot I choose wasn't right but it took me a bit to realize that. I brought the planks of wood in the foreground to place below the dirt surface so the women in heels wouldn't sink it but Robert Villa convinced me that that would disturb the environment.
What has three vertabrae and a French accent?
that's Katlynn cartwheeling while Robert serenaded the universe while Serge was.
Serge makes repairs
Robert Villa and Serge Jnoun converge
Serge thinks to the east
Katy Awful and Robert Villa converge
beautifully dentally challenged Katy pointed out...
Things began to rip.
Katy was more comfortable with the inconvenience of changing, the flash of nudity...Katelynn was not as every effort was made to see nothing!
someone on facebook saw this photo and exclaimed "look at those mountains!"
Katy switches to a vintage corset workn by Arizona Alice in the making of Girdle Gulch for HBO's Real Sex #6.
meanwhile I had put my friend and writer Jim Nintzel of the Tucson Weekly to work moving props, etc from the picnic table/car area to the site for the photo. Walking together I spoke of the importance of the process. That the final image is secondary to the process of making the photo. Sometimes the final shot is never realized. Prophetic. I also mentioned that I enjoyed being the `bad boy'. Being the middle child I had to scream my photographs to be heard.
I found a better site and we began to move the operation over a few important saguaros away from where we began. The girls debated which would wear the third rubber single breast I had been given many years before at the AVN convention in Vegas when I was there with Helena doing shots of her in the shark tunnel tank.
THE attaching of Katlynn's tail
Katlynn's piercing `look'
THE second location as the sun began to wane
being a magician Robert knew how to handle her tail
the barefoot Boston girl and the Sonoran
to create something out of nothing- out of an idea...is special. to paint with a camera
I'm certain Jamie, katlynn's bf, thinks I've fallen in love with Miss K. Not so. I just recognize beauty. That I refuse to live without
a woman and her tale
THEN Katy had to be fitted
note the angle of inclination
the hands of a surgeon
why is this woman smiling?
Just as things were jelling , just as I got back to the site, I noticed a big tall Park ranger. "Who is in charge here?". I thought I was `safe' so put the faux buck teeth in my mouth and walked over and said I was. He said I was breaking the law by doing commercial photography in the National Park and had to have a permit from the Park. I still thought I was ok and said that I wasn't doing commercial photography and didn't need a permit since I wasn't using a tripod. (which was the rule in NYC when I lived there from 1971 to 1994). When he persisted I removed my buckteeth and pointed to Jim Nintzel, saying he represented me. I hoped he would confirm that this wasn't a commercial shoot and that he was doing an article on me. Our silent signals didn't work and my goose was cooked. I got one or two hurried 35mm shots off without affixing the vertabrea properly or getting a shot off with my medium format cameras. Officer 999 ( Later I couldn't read his name clearly) declared "This shooting is done!" Resigned we cleared the site and trooped back tot he picnic area. When I asked for my license and National Park pass back he refused until we were about to leave the picnic area.
It became more a Marx Brothers movie as Serge needed help removing his cowboy boots.
The greatest archeologist/uncoverer of fossils couldn't find his car keys! Finally Katy found them in the pocket of his borrowed tux. Off we drove in three cars followed at a distance by Officer 999.